site-specific installation for the collective works of WrK
eigen-state and the displacement
Nov.18th - Dec.18th 1996 at XEBEC hall in Kobe

eigen-state and the displacement
general concept (for the collective works of WrK)
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Some of conditions as provided or given "place" are not only to specify the spherical co-ordinates but also to specify the function in "place" and an inherentlity of the state framing "place" that we'd call the inherentlity of state to "eigen-state". Both functionality and inherentlity have to be defined by action/process in time. Therefore "place" has to be normalized in time and space.
In this sense, "state" is physical or technological or epistemological structure supposing the function and the spherical location in "place". And then the inherentlity is meaning some restriction that becomes conditions to stand as this structure. Generally we have overlooked an aspect of this "state" differently from the shape and the function of "place". The other hand the inherentlity which has become a system of understructure quite normalizes dispositions of the shape and the function as "place". In a way some physical or technological or epistemological specific "eigen-state" has affected to "place" in order to maintain as "place".
An art work concerning the "eigen-state" of "place" will be to realize some displacements to other "eigen-state" within the range of possible variation that maintains the conditions of specific "eigen-state" as affecting "place". And then the work will be to re-normalize by the displacements that affect to "eigen-state".
In this project, WrK activates some "eigen-state" at XEBEC hall and we would appear the disposition of "place" that is re-normalized by microscopic displacements. (general concept written by m/s)

@ uŒÅ—Ló‘Ô‚Æ‚»‚̕ψʁv
ŠT—v (WrK collective works)

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@êŠ‚̌ŗLó‘Ô‚ÉŠÖ‚·‚鐧ì‚Ƃ́A§ìŽÒ‚É‚æ‚Á‚ÄŒ©o‚³‚ꂽ‚ ‚é“Á’è‚̌ŗLó‘Ô‚ÉŠÖ‚µ‚āA‚»‚̌ŗLó‘Ô‚Ì‘¶—§ðŒ‚ð•ÛŽ‚µ‚‚A‚»‚̌ŗLó‘Ԃ̉”\‚ȕω»‚͈͓̔à‚É‚¨‚¢‚ĕʂ̌ŗLó‘Ô‚Ö‚Æ“]’u/•ÏˆÊ‚³‚¹‚邱‚Æ‚Å‚ ‚éB‚»‚ê‚́AêŠ‚ªêŠ‚Æ‚µ‚Ä•ÛŽ‚³‚ê‚é‚悤‚ȌŗLó‘Ô‚Æ‚ÌŠÖŒW‚É‚¨‚¢‚āA“]’u/•ÏˆÊ‚É‚æ‚Á‚Ä‚à‚½‚炳‚ê‚éì—p‚É‚æ‚èA‚»‚̏ꏊ‚ðÄ‹K’è‚·‚鎖‚Æ‚È‚éB
@Ž„’B‚Ì‚±‚̃vƒƒWƒFƒNƒg‚ł́AƒW[ƒxƒbƒNƒz[ƒ‹‚É‚¨‚¯‚é‚ ‚é”÷×‚ȌŗLó‘Ô‚É“­‚«‚©‚¯‚邱‚ƂŁAƒW[ƒxƒbƒNƒz[ƒ‹‚Æ‚¢‚¤êŠ‚ðÄ‹K’肵A‚»‚̏ꏊ‚ÌŽ‚«Ž¿‚ðŒ°Ý‰»‚·‚é‚à‚Ì‚Å‚ ‚éB(concept by m/s)
concerning my work:
In this exhibition, I have regarded the lighting situation at XEBEC hall foyer. I think we can give the lighting that is technorogical structures normalizing "place" as one of "eigen-state".
We are able to notice the light coming through the rear of lighting instruments to the ceiling when we look over the "place". It seems rather that the light is quite drawing a shape. This shape emerges from the outline of radiative lattice of the lighting instrument. It is individual light as understructure system that the light is no relationship the function as light for lighting someone and the objects lighted on.
In this time, I operate a little change of the radiative lattice at one lighting instrument. In a way I regard a little displacement concerning the lighting function and the inherentlity of structure as lighting situation. The operation will be a displacement of lighting inherentlity as "place", and also will be a displacement regarding the disposition of light as wave, i.e. on technological, physical and epistemological meaning. The form of the operated lattice is just a small square hole. We can see that the light has three cources through this hole, therefore the light draws three square shapes to the ceiling. Each square shapes has a difference in brightness, but has no certain boundary by diffraction of light as wave. The shapes emerge as the nomarized distribution to square. Of course we have experienced these things in daily life. But this designed displacement enables us to imagine the distribution of light as wave that the brightness of each square shapes interacts on relationship between variation of natural light in all day

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